Second, the fandom might be directed at a certain musical genre. Nurturing a community driven by purpose, through mentoring. 39 No. (2015) suggest that event attendees experience a sense of kinship and belonging that goes well beyond the scope of the event, and can propel them on an event career (p. 79). Use of this site constitutes acceptance of our, Digital He was the chairman of the Finnish Society for Tourism Research 20102019. 0000010543 00000 n
It is quite natural to presume that frequent music festival attendance might include many of the aspects included in the event travel career. 0000004924 00000 n
Pupil attendance stats began in September 2022 and past releases are available on explore education statistics. Awareness and attraction describe a casual spectator whereas attachment and allegiance are more related to fandom. Along with the growth of live music consumption, the number of music festivals has also multiplied for several decades (Webster and McKay, 2016), and the attendance figures are remarkable (Finland Festivals, 2020). 9 No. State of Play 28% are likely to mingle with their tent neighbours Festivals bring together people from all walks of life. Looking at the unique number of booked artists, the distribution is similar: out of 9,651 booked artists, 36.3% are Electronic, 16.0% Rock, 12.7% Pop and 11.5% Hip Hop. 0000002272 00000 n
(2019a), Segmentation of music festival attendees, Scandinavian Journal of Hospitality and Tourism, Vol. The relationship with music was stronger for frequent than casual festivalgoers in the following items: Music is one of the most important things in my life, I actively search for new music that interests me, I actively recommend artists, pieces and albums to my friends, I usually listen to music concentrating and burying myself in it,, Making and playing music is one of the most important things in my life and I usually listen to music with friends, acquaintances and like-minded people.. Then you can access your favorite statistics via the star in the header. As of 2019, Glastonbury was the largest outdoor music festival in the United Kingdom with an audience capacity of 210,000. You need a Statista Account for unlimited access. Attendance at the 2019 event, which took place Aug. 1-11 was 1,226,000, topping the previous record of 1,196,000 set in 2017. 29 No. There is a scarcity of research scrutinizing both career development and fandom in the festival context within the same study, and festival attendance as part of music tourism is an under-researched area. 1, pp. (2009) stated that consuming music has a significant role in the individual's representation of self in social interactions, and that music depicts music consumers' desired self-image. 2, pp. His background is in sociology, and he is specialised in tourism and leisure studies. Coachella, one of the most popular festivals in the country, grossed $114.6 million in 2017, setting a major record for the first recurring festival franchise to earn more than $100 million. Fandom is both personal and collective (Duffett, 2014). 38 No. ,"5g},:=S'mB3^x9Kw.OtQjY~eVn}]8%Qzo|VQ:#y|/lqSBXf~|{[ZCZFYZZzEGGPFAAAD( $@r` % @`/P*A
Use Ask Statista Research Service, *Most recent figures for Isle of Wight festival are from year 2017Figures have been taken from various sources: GlastonburyDownloadReading and LeedsCreamfieldsIsle of Wight, Concert and festival attendance in the United Kingdom (UK) 2012-2019, Largest UK indoor arenas 2020, by capacity, Music industry employment in the United Kingdom (UK) 2019, by sector. The music festival attendance in France has strongly increased from 2017 to 2019. On the business side, music festivals have become more streamlined and shaped by the advent of big music promoters over the last decade. 119-150. Amberla, K. (2013), Festivals in Finland, in Ngrier, E., Bonet, L. and Gurin, M. (Eds), Music Festivals, a Changing World, Michel de Maule, Paris, pp. This means that frequent attendees understand how important it is for the overall festival experience that they contribute to the festival atmosphere. July 10, 2020. 19 No. Maslow, A.H. (1954), Motivation and Personality, Harper & Row, New York, NY. Prentice, R. and Andersen, V. (2003), Festival as creative destination, Annals of Tourism Research, Vol. Klaic, D. (2014), Festivals in Focus: Contemporary European Case-Studies and Perspectives, Goodfellow, Oxford. Everybody is doing it.. This rationale is called complementarity (Sandelowski et al., 2006), completeness (Bryman, 2006), knowledge-based (Hurmerinta-Peltomki and Nummela, 2006) or production of a more complete picture (Denscombe, 2008). 0000001066 00000 n
to incorporate the statistic into your presentation at any time. For individual content and infographics in your Corporate Design, His research interests include tourism statistics, seasonality, travel motivations and behaviour, event tourism and cultural sustainability. Chirinos says that through help from large music conglomerates, festivals like Coachella and Bonnaroo have become akin to household brand names. 4 SXSW 2019 EVENT STATISTICS REV9.10.19 MUSIC FESTIVAL OVERALL. Furthermore, Finns' attitudes, tastes and perceptions of festivals have not changed much along the years (see the report on the longitudinal Finnish Festival Barometer research in 20142018, Kinnunen et al., 2019b), except 2020 when the COVID-19 pandemic caused the cancellation of summer festivals. Nordvall, A. and Heldt, T. (2017), Understanding hallmark event failure: a case study of a Swedish music festival, International Journal of Event and Festival Management, Vol. AEG Live has helped to produce Coachella, Firefly and Stagecoach through ownership of the promoter Goldenvoice. 1, pp. non-commercial websites. Career development and fandom are related concepts. 6, pp. 211-220. 28 No. Music-related fandom has been previously investigated in relation to artists (Cavicchi, 1998; Henry and Caldwell, 2007; Vroomen, 2002) and specific musical genres (Hill, 2016; Sinclair and Dolan, 2015), but not so much in relation to music festivals in general (exceptions include Jones, 2015). If you are an admin, please authenticate by logging in again. Are you interested in testing our business solutions? It is important to note that these studies are related to being an active sports participant (not a spectator); that is, a runner, cyclist and so on. Dr Mervi Luonila (DMus in Arts Management) works as Senior Researcher in the Center for Cultural Policy Research, Cupore. 3, pp. At the personal level, emotions and identity building are the most important aspects (Hill, 2016), whereas the collective level embodies social (shared) identity, demonstrated in a sense of unity and belonging with other fans (Cavicchi, 1998; Reysen et al., 2017). Ariana Grande, Billie Eilish and Janelle Mone drew huge crowds each of the three nights, and hit-driven, multi-media acts like Childish Gambino, Tame Impala and The 1975 blurred the lines between. Singapore. Available: https://www.statista.com/statistics/1101275/largest-uk-music-festivals/, Largest music festivals in the United Kingdom in 2019, by audience capacity, Available to download in PNG, PDF, XLS format, Global live music industry revenue by source 2014-2024, Music industry gross value added (GVA) in the United Kingdom in 2018, by sector, Music industry export value in the United Kingdom (UK) 2018, by sector, Live music attendance in the United Kingdom (UK) 2011-2018, Number of music tourists in the United Kingdom (UK) 2016-2019, Live music event attendance in the United Kingdom (UK) 2015-2018, by tourist type, Live music tourist attendance in the United Kingdom (UK) 2018, by region, Spending generated by music tourism in the United Kingdom (UK) 2016-2019, Music tourist spending in the United Kingdom (UK) 2019, by region, Overseas music tourists: average spending in the United Kingdom (UK) 2011-2018, Full-time jobs sustained by music tourism in the United Kingdom (UK) 2016-2019, Music tourism jobs in the United Kingdom (UK) in 2019, by region, Number of live shows at event venues in the UK and Ireland 2018, by genre, Average attendance at live shows in the UK and Ireland 2018, by genre, Music companies most subsidized by Arts Council England 2023-2026, London music companies most subsidized by Arts Council England 2023-2026, Number of classical music concerts screened in cinemas in the UK 2007-2018, Number of popular music concerts screened in cinemas in the UK 2007-2018, Revenues from pop music concerts screened in cinemas in the UK 2013-2018, Glastonbury Festival in the UK: Ticket prices 2014-2020, Glastonbury Festival: tickets sell-out time 2011-2020, When festival-goers buy tickets in the United Kingdom (UK) 2019, Who festival-goers attend festivals with in the United Kingdom (UK) in 2019, Reasons for attending music festivals in the UK 2019, Most important UK festival initiatives 2019, Opinions on UK festival line-up diversity 2019, When audiences will return to live events after lockdown in the UK and Ireland 2020, Booking live events after COVID-19: refund reassurances UK and Ireland 2020, Safety measures at live events after COVID-19 lockdown in the UK and Ireland 2020, Preferred venue types for events after COVID-19 lockdown in the UK and Ireland 2020, Europe: Opinion on live music streams during the coronavirus lockdown in 2020, Most popular music festivals in Hungary 2022, Italy: number of music festivals per city 2015, Italy: number of music festivals by genre 2015, Interest in the Glastonbury music festival in Great Britain (UK) 2014, by demographic, Highest-grossing music festivals in Latin America 2019, Favorite music genres among music festival visitors in Europe 2016, Brazil: revenue of Lollapalooza music festival 2014-2019, Countries ranked by the number of voted awarded to Spain in the ESC 1961-2021, French residents' intention to go to a festival during summer holidays in 2015, Seating capacity in cinemas Singapore 2020-2021, by major exhibitor, Musical performances number South Korea 2011-2016, Admissions at dance and concertinos events in Italy 2013-2018, Music industry in the United Kingdom (UK), Find your information in our database containing over 20,000 reports, waited for the entire line-up announcement to make their purchase, top three most important initiatives to attendees, 37 percent of concert-goers were satisfied with the diversity of acts offered. The profile characteristics are in line with previous research conducted at Finnish music festivals (Kinnunen, 2018; Kinnunen et al., 2019a). Lamont, M., Kennelly, M. and Wilson, E. (2012), Competing priorities as constraints in event travel careers, Tourism Management, Vol. All Rights Reserved. Then you can access your favorite statistics via the star in the header. High attendance in music festivals, in turn, was a manifestation of festival fandom. Even though the number of interviewees was not high, the saturation point was reached, since the same practices were identified throughout the interviews. Free access. 4, pp. Future research should focus on a specific musical genre, going deeper into the festival career that combines two types of fandom: for festivals and a musical genre. The nature of the festival makes it the odd one out on this list, since it takes place over the course of two weeks and not just one or two weekends. And for the first time since 2013, Bonnaroo sold out of 2019 tickets with 80,000 people attending, according to the Nashville Tennessean. Jones, I. Live music attendees (including popular and classical music) are 23% more likely to report very good or excellent health. Finland is one of the leading countries in Europe in relation to the number of arts festivals and cultural events (Amberla, 2013). Greene, J. please visit our agency website, Your contact to the Infographics Newsroom, Find your information in our database containing over 20,000 reports, Our infographics team prepares current information in a clear and understandable format, Relevant facts covering media, economy, e-commerce, and FMCG topics, Use our newsletter overview to manage the topics that you have subscribed to. To use individual functions (e.g., mark statistics as favourites, set 25 No. 1, pp. Statista. Future of the arts festivals: do the views of managers and attendees match? 7-30. After an 18-month hiatus, concerts, festivals, sports, and other big events are expected to return to their pre-pandemic glory. A paid subscription is required for full access. Reysen, S., Plante, C. and Chadborn, D. (2017), Better together: social connections mediate the relationship between fandom and well-being, AASCIT Journal of Health, Vol. hb``` Highlight Artists: The Foo Fighters, Duran Duran, and Weezer. Los Angeles, California, United States. .0p3df4afxhhh"t)1,k4'uA_qgz_ UM,W
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127-140. 11 No. As the participation frequency in music festivals increases, the importance of the festival program often lessens, at least in festivals with which the attendee is familiar; in this case, a frequent festivalgoer expects to meet familiar faces, have social interactions and experience a communal and relaxed atmosphere, all of which makes the visit pleasurable, fulfils the needs of identity building and helps in coping with everyday life. (2016). The study uses a mixed methods research approach and employs two theoretical frameworks: theories of career development and fandom. Festivals in the UK industry statistics Biggest companies in the Festivals industry in the UK Antti Honkanen is Director of the Multidimensional Tourism Institute (University of Lapland). Studies on career development show that devotion to a specific leisure activity involving frequent event attendance modifies future behavior in motives, preferences and patterns, intending to fulfil needs that have been changed through accumulated experience (Getz, 2007, 2008). As a consequence, festival fans have grown to appreciate live music and festivals more than ever (LiveFIN, 2020; Live Nation and TicketMaster, 2020). In the country of 5.5 million citizens, the number of festivals per capita is noteworthy, Finns participate actively, and the contents of festivals represent various artistic genres (for example, music, theatre, film, dance, literature and fine arts). Music festival attendance might also be a vehicle for various . Formerly known as Woodstock Festival Poland, Pol'and'Rock is one of the largest free music festivals in the world and was previously the largest open-air festival in all of Europe. Juxtaposing these concepts in the context of frequent music festival attendance helps understanding an important festival audience segment that is valuable for the festival atmosphere (Kim, 2004; Prentice and Andersen, 2003), and music tourism in general (Bolderman and Reijnders, 2017; Lashua et al., 2014). 77-101. Pitts, S.E. 211-226. Taking second place with an attendance of about 2.7 million is Austria's Donauinselfest, taking place in Vienna over the course of three days in the middle of the Danube. 35 No. Register in seconds and access exclusive features. Hence, the idol was not the object for fanaticism or social contact, but it created the circumstances and atmosphere that facilitated the sense of belonging between the members of the audience. 6 No. 0000002158 00000 n
Regarding the artistic offer, the festival field in Finland can be seen as a thriving context, when hundreds of not-for-profit and for-profit organizations produce artistic content throughout the country (Amberla, 2013). Currently, you are using a shared account. Regarding fandom, this is the fan interest, whose depth or psychological connection (PCM) defines the intensity of fan practices. Frequent festivalgoers socialised at festivals, but not only with friends since they also made new friends at festivals, as Pekka illustrated: We got acquainted in Denmark [Roskilde Festival] with four Finnish girls: It was awfully crowded there and they didnt find any place to camp. 67, pp. 1, pp. The ideal entry-level account for individual users. Interviewees were selected from those respondents of the Festival Barometer 2016 who had attended at least nine festivals a year and who had left their contact information for a possible interview. liability for the information given being complete or correct. 97-113. Statistics for Epidemiology and Population Health Demographic Methods Clinical Trials, Molecular Epidemiology . Please note that the code must be integrated into the HTML code (not only the text) for WordPress pages and other CMS sites. Today we'll learn some cool facts about 10 of the largest EDM festivals in the world and rank them by their average daily attendance. Location: Del Mar, California. Pearce and Caltabiano (1983) introduced the concept of the motivational career in travel, later Travel Career Ladder (Pearce, 1988), where a travelers motivational factors or needs change through time. held from March 8-10, 2019 at the University of Sheffield and Sheffield Town Hall. daily and featuring the latest statistics from the media, 3-9. Director (Community) The Mentoring Circle. A paid subscription is required for full access. Ultimately, a festivals success comes down to the lineup. There are multiple benefits following the shift from physical to virtual events, and cost reduction is one of them. The serious nature of festival participation has been noted as loyal visitors return year after year to the same festival and sense a kind of ownership of the festival in question (Kim, 2004). [1] The festival occurs annually in August and is the largest music festival in Iowa. 16 No. Third, the participation motive might be the fan interest towards music festivals in general, to experience festival communitas whose members are more open to participate in collective actions and shared enjoyment than in normal circumstances (Kinnunen, 2018, p. 106), thus fulfilling social and hedonistic needs and aims. Luonila, M., Suomi, K. and Lepist, T. (2019), Unraveling mechanisms of value cocreation in festivals, Event Management, Vol. Table 1 summarizes the survey respondents. Funk and James (2001) developed a Psychological Continuum Model (PCM) to describe the depth of individuals' psychological connection to a sport or team. Coronavirus impact on live music in the UK, Advertising spending in the U.S. 2020-2024, Film industry in the United States and Canada - statistics & facts, Profit from additional features with an Employee Account. Source: wikimedia.org. They both contain the aspect of communality: a strong sense of being a member in a like-minded community. This text provides general information. Now that you have an idea of what the typical hardcore festie is like, here's why it matters: This statistic is not included in your account. ), Tiina female, 27 years, boyfriend (not living together), Live music, making music, amateur theatre, nature activities, event surfing, Analytical, independent festival visitor and active volunteer worker in festivals, Live music, regular at a local bar, (theatre), Adventurous, social festivalgoer, lots of extempore participation, wants to visit at least one new festival a year, Changed friends to younger ones as the older friends did not attend festivals anymore; regularly visits festivals abroad, Seppo male, 41, wife and a 16-year-old son, If any free time left: live music, theatre, museum, city holidays, Works in the music industry; started his career as a festival volunteer; visits festivals abroad as part of his work, Live music, exercise, (food and beer festivals, theatre, films, classical music), New festivals: bands Familiar festivals: entirety, Writes articles on festivals and other live music gigs for a fanzine; gets accreditation in 75% of the attended festivals; attends several festivals abroad each year and has acquaintances around Europe whom she meets only at festivals, Live music, bars, floorball, food and drink festivals, Enjoys camping at festivals; divides festivals into home and travel festivals; attends festivals abroad every second year, Live music, reading, exercise, book and music fairs, Follows her favourite artists; front row fan who dances a lot, Nina female, 35, in a relationship (spouse does not attend festivals), Live music, exercise, spending time with friends, (theatre, films), Attends festivals where favourite artists perform; stays in the front row taking photos, Music is one of the most important things in my life, I actively search for new music that interests me, I actively recommend artists, songs, and albums to my friends, I usually listen to music, concentrating and burying myself in it, Making and playing music is one of the most important things in my life, Music often creates strong emotions in me, I usually listen to music with friends, acquaintances and like-minded people. Getz, D. and McConnell, A. Photo Credit: Carlos Alfonso One week following the. Our findings show that frequent music festival attendance is festival fandom and career development that are heavily intertwined in motives and practices, as summarized in Figure 1. Kinnunen, M. (2018), Total Festival Experience: A Mixed Methods Research Approach to Consumer Experiences in Finnish Cultural Festivals, University of Lapland, Rovaniemi. and Chancellor, H.C. (2009), Examining the festival attributes that impact visitor experience, satisfaction and re-visit intention, Journal of Vacation Marketing, Vol. under the Creative Commons License CC BY-ND 3.0, may be used 208-224. Directly accessible data for 170 industries from 50 countries and over 1 million facts: Get quick analyses with our professional research service. 1, pp. We are happy to help. Also, the number of stadium and other big concert attendances was strongly correlated with the number of festival attendances (rs=0.233, p=0.000). When publishing one of these graphics, Gardner, 2004). (March 3, 2020). The quantitative data included results of the Finnish Festival Barometer web survey from the year 2016, altogether 3,322 responses. Career studies, on the other hand, concentrate heavily on sports events. D.Soc.Sc Maarit Kinnunen is a freelance festival researcher. 32 No. Need infographics, animated videos, presentations, data research or social media charts? Nonetheless, its approximately two million visitors in 2019 granted it a sizable margin to the roughly 750,000 festival fans visiting Polish Pol'and'Rock festival in 2019. Please do not hesitate to contact me. 4 No. In this respect, since Finland has been labelled as a land of festivals, in particular music festivals (Luonila and Johansson, 2015), it makes the country a suitable context for the current study on frequent music festival attendance. In, Elevent. All the participating festivals used Facebook for the survey publicity and some of them distributed the survey link in Instagram as well. 15 No. The sense of community is related to a festival-specific liminoid zone that is restricted by space and time (Getz, 2007). In the case of frequent music festival attendance, the fan interest is the music festival experience in its entirety: live music, festival community, communal and relaxed atmosphere, as well as the liminality of the festival experience, when one's economic and social status, and everyday worries are left at the festival gate. 2022 Conference and Festivals Demographics 2022 Event Statistics Economic Impact Analysis Event Facts & Figures Press Quotes & Participation Press Quotes Press Quotes The present study contributes to festival career theory by showing the interconnection between festival career development and festival fandom. The final part of practices is appropriate behavior at festivals. Furthermore, in career models, increased consumption influences motivation. The number of visits is not equivalent to the number of visitors. These aspects are discussed in more detail in the Summary of theoretical framework section. 1, pp. The number of interviews was quite low. For instance, Pauli was familiar with various cashless payment methods used in festivals around Europe. Vroomen, L. (2002), This Woman's Work: Kate Bush, Female Fans and Practices of Distinction, University of Warwick, Coventry. Knowledge, on the other hand, was an essential part of music fandom but it was not present in music festival fandom in the same way as in artist or genre fandom, where knowledge was tested and sometimes even a prerequisite for respect and approval from other fans (Sinclair and Dolan, 2015). Kaaboo is a completely unique music festival designed to appeal to every one of the senses and give attendants the experience of a lifetime. Each year, the company offers a Festival Passport that gives audiences access to more than 100 festivals starting at $999. 18 No. All the interviewees said that festival attendance was a social event for them. (July 10, 2020). Pearce, P.L. Business Solutions including all features. Festival fans interviewed used a considerable amount of money and leisure time for festivals, especially during summer. Music itself has changed, as well, making festivals a bigger attraction for listeners. (Sofia). 1, pp. Music festivals are important platforms for live music consumption offering shared musical enjoyment, social interactions, and the sense of community (Kelly et al., 2014) that produce socially extended emotions (Wood and Kinnunen, 2020) and long-lasting memories (Manthiou et al., 2014). Communality the positive, open and egalitarian connection with other members of the audience is at the heart of a memorable festival experience (Kinnunen, 2018). For example, Pori Jazz (organized in mid-July) attracted 350,000 and Ruisrock (at the beginning of July) over 100,000 visits in 2019 (Finland Festivals, 2020). So that model is super integral as to why artists and agents are focusing so hard on music festivals.. Directly accessible data for 170 industries from 50 countries and over 1 million facts: Get quick analyses with our professional research service. 3, pp. Pearce, P.L. You only have access to basic statistics. and Burland, K. (2013), Listening to live jazz: an individual or social act?, Arts Marketing: An International Journal, Vol. 3, pp. Overall, Mintel estimates the value of the UK music festivals and concerts market to be worth just over 2.6 billion in 2019, up from 2.46 billion in 2018. 22 No. ", Elevent, Share of attendees at selected leading festivals and events in Canada as of December 2019 Statista, https://www.statista.com/statistics/1139010/festival-and-events-attendance-canada/ (last visited March 01, 2023), Share of attendees at selected leading festivals and events in Canada as of December 2019 [Graph], Elevent, July 10, 2020. Overall, the music industry sector generated $23.1 billion in revenue in 2019 with recorded music according to IFPI data. Source: wikimedia.org. You only have access to basic statistics. In the questionnaire, there was a question How would you define your relationship with music? using a seven-point Likert scale (1=totally disagree 7=totally agree) for the statements represented. 403-428. 135,000 plus the potential for a further 7,000. 7 No. The findings indicate frequent festivalgoers' internal and external role in festival productions. 0000004131 00000 n
4, pp. Henry, P. and Caldwell, M. (2007), Imprinting, incubation and intensification: factors contributing to fan club formation and continuance, in Cova, B., Kozinets, R.V. Some campers made a special effort to organize their site for a successful experience and to build their festival image (Gardner, 2004; Tjora, 2016). Interviewees pointed out that they might attend a festival alone since they knew that there were friends and acquaintances they met only at the festival in question: There are acquaintances all around Europe. 32 No. R(W@&!I9oOf]Oz}8QP{0voy}fs'
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